The woman in the spiked device that locks around the waist and between the legs, with holes in it like a tea strainer is Exhibit A.
The woman in black with a net window to see through and a four-inch wooden peg jammed up between her legs so she can't be raped is Exhibit B.
Exhibit C is the young girl dragged into the bush by the midwives and made to sing while they scrape the flesh from between her legs, then tie her thighs till she scabs over and is called healed. Now she can be married. for each childbirth they'll cut her open, then sew her up. Men like tight women. The ones that die are carefully buried.
the next exhibit lies flat on her back while eighty men a night move through her, ten an hour. She looks at the ceiling, listens to the door open and close. A bell keeps ringing. Nobody knows how she got there.
You'll notice that what they have in common is between their legs. Is this why wars are fought? Enemy territory, no man's land, to be entered futively, fenced, owned but never surely, scene of these desperate forays at midnight, captures and sticky murders, doctors' rubber gloves greasy with blood, flesh made inert, the surge of your own uneasy power.
this is no museum. Who invented the word love?
Margaret Atwood
is this what we are? mammary glands? cum suppositories? vaginas? cunts? twats?